Sergei Bortkiewicz – Piano Concerto No. 1 in B-flat major, Op. 16

Sergei Bortkiewicz (1877 – 1952)

Piano Concerto No. 1 in B-flat major, Op. 16 [1912]
I. Lento – Allegro deciso
II. Andante sostenuto
III. Molto vivace e con brio

Stephen Coombs (Piano); BBC Scottish Symphony Orchestra; Jerzy Maksymiuk (Conductor)

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Ernest Bloch – Sonata for Violin and Piano No. 1

Ernest Bloch (1880 – 1956)

Sonata for Violin and Piano No. 1 [1920]
I. Agitato
II. Molto quieto
III. Moderato

Jascha Heifetz (Violin); Emanuel Bay (Piano)

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Sergei Bortkiewicz – Symphony No. 2 in E-flat major, Op. 55

Sergei Bortkiewicz (1877 – 1952)

Symphony No. 2 in E-flat major, Op. 55 [1938]
I. Allegro ma non troppo
II. Vivace
III. Andante sostenuto
IV. Vivace (alla breve)

BBC Scottish Symphony Orchestra; Martyn Brabbins (Conductor)

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Sergei Bortkiewicz – Symphony No. 1 in D major “From My Homeland”, Op. 52

Sergei Bortkiewicz (1877 – 1952)

Symphony No. 1 in D major From My Homeland, Op. 52 [1934]
I. Un poco sostenuto – Allegro
II. Scherzo. Vivace
III. Adagio
IV. Allegro vivace

BBC Scottish Symphony Orchestra; Martyn Brabbins (Conductor)

Excerpt from the 2nd Movement:

Excerpt from the 4th Movement:

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Ferdinand Ries – Piano Concerto No. 4 in C minor, Op. 115

Ferdinand Ries (1784 – 1838)

Piano Concerto No. 4 in C minor, Op. 115 [1809]
I. Allegro
II. Molto adagio
III. Rondo: Allegretto

Christopher Hinterhuber (Piano); Bournemouth Symphony Orchestra; Uwe Grodd (Conductor)

Excerpt from the 3rd Movement:

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Juliusz Zarębski – Piano Quintet in G minor, Op. 34

Juliusz Zarębski (1854 – 1885)

Piano Quintet in G minor, Op. 34 [1885]
I. Allegro
II. Adagio
III. Scherzo
IV. Finale

Warsaw Quintet

Excerpt from the 2nd Movement:

Excerpt from the 3rd Movement:

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Ferdinand Hiller – Piano Concerto No. 2 in F-sharp minor, Op. 69

Ferdinand Hiller (1811 – 1885)

Piano Concerto No. 2 in F-sharp minor, Op. 69 [1861]
I. Moderato, ma con energia e con fuoco
II. Andante espressivo
III. Finale: Allegro con fuoco

Michael Ponti (Piano); Orchestra of Radio Luxembourg; Louis de Froment (Conductor)

Excerpt from the 2nd Movement:

Excerpt from the 3rd Movement:

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Friedrich Kuhlau – Piano Concerto in C major, Op. 7

Friedrich Kuhlau (1786 – 1832)

Piano Concerto in C major, Op. 7 [1810]
I. Allegro
II. Adagio
III. Rondo: Allegro

Felicja Blumental (Piano); Salzburg Symphony Orchestra; Theodore Guschlbauer (Conductor)

Excerpt from the 3rd Movement:

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Charles Villiers Stanford – Clarinet Concerto in A minor, Op. 80

Sir Charles Villiers Stanford (1852-1924)

Clarinet Concerto in A minor, Op. 80 [1902]
I. Allegro moderato
II. Andante con moto
III. Allegro moderato

Janet Hilton (Clarinet); Ulster Orchestra; Vernon Handley (Conductor)

Excerpt from the 1st Movemet:

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František Xaver Dušek – Symphony in E-flat major, Altner Eb3

František Xaver Dušek (1731 – 1799)

Symphony in E-flat major, Altner Eb3
I. Maestoso – Vivace
II. Andante
III. Minuetto
IV. Allegro

Helios 18; Marie-Louise Oschatz (Conductor)

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František Xaver Dušek – Symphony in F major, Altner F4

František Xaver Dušek (1731 – 1799)

Symphony in F major, Altner F4
I. Vivace
II. Andante
III. Minuetto
IV. Allegro assai

Helios 18; Marie-Louise Oschatz (Conductor)

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František Xaver Dušek – Symphony in G major, Altner G2

František Xaver Dušek (1731 – 1799)

Symphony in G major, Altner G2
I. Allegro assai
II. Andante grazioso
III. Minuetto
IV. Presto

Helios 18; Marie-Louise Oschatz (Conductor)

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Anton Bruckner – String Quintet in F major

Anton Bruckner (1824 – 1896)

String Quintet in F major [1879]
I. Gemäßigt
II. Scherzo: Schnell – Trio: Langsamer
III. Adagio
IV. Finale: Lebhaft bewegt

Austrian String Ensemble

Excerpt from the 2nd Movemet:

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Dmitri Shostakovich – Violin Concerto No. 2 in C-sharp minor, Op. 129

Dmitri Shostakovich (1906 – 1975)

Violin Concerto No. 2 in C-sharp minor, Op. 129 [1967]
I. Moderato
II. Adagio
III. Adagio – Allegro

Itzhak Perlman (Violin); Israel Philharmonic Orchestra; Zubin Mehta (Conductor)

Excerpt from the 1st Movemet:

Excerpt from the 3rd Movemet:

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Ludwig van Beethoven – String Quartets

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 1 in F major, Op. 18/1 [1799]
String Quartet No. 2 in G major, Op. 18/2 [1799]
String Quartet No. 3 in D major, Op. 18/3 [1798 - 1799]
String Quartet No. 4 in C minor, Op. 18/4 [1799]
String Quartet No. 5 in A major, Op. 18/5 [1799]
String Quartet No. 6 in B-flat major, Op. 18/6 [1800]

String Quartet No. 7 in F major (Razumovsky Quartet No. 1), Op. 59/1 [1808]
String Quartet No. 8 in E minor (Razumovsky Quartet No. 2), Op. 59/2 [1808]
String Quartet No. 9 in C major (Razumovsky Quartet No. 3), Op. 59/3 [1808]
String Quartet No. 10 in E-flat major Harp, Op. 74 [1809]
String Quartet No. 11 in F minor Quartetto serioso, Op. 95 [1810]

String Quartet No. 12 in E-flat major, Op. 127 [1823 - 1824]
String Quartet No. 13 in B-flat major, Op. 130 [1825]
String Quartet No. 14 in C-sharp minor, Op. 131 [1826]
String Quartet No. 15 in A minor, Op. 132 [1825]
String Quartet No. 16 in F major, Op. 135 [1826]

Hungarian Quartet

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1st part (953.7 MB)
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Ludwig van Beethoven – Late String Quartets

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 12 in E-flat major, Op. 127 [1823 - 1824]
String Quartet No. 13 in B-flat major, Op. 130 [1825]
String Quartet No. 14 in C-sharp minor, Op. 131 [1826]
String Quartet No. 15 in A minor, Op. 132 [1825]
String Quartet No. 16 in F major, Op. 135 [1826]

Hungarian Quartet

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Ludwig van Beethoven – String Quartet No. 16 in F major, Op. 135

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 16 in F major, Op. 135 [1826]
I. Allegretto
II. Vivace
III. Lento assai cantante e tranquillo
IV. Grave ma non troppo tratto – Allegro

Hungarian Quartet

Excerpt from the 2nd Movemet:

Excerpt from the 3rd Movemet:

Excerpt from the 4th Movemet:

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Ludwig van Beethoven – String Quartet No. 15 in A minor, Op. 132

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 15 in A minor, Op. 132 [1825]
I. Assai sostenuto – Allegro
II. Allegro ma non tanto
III. Molto Adagio – Andante – Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart
IV. Alla marcia assai vivace
V. Finale: Allegro appassionato

Hungarian Quartet

Excerpt from the 1st Movemet:

Excerpt from the 4th Movemet:

Excerpt from the 5th Movemet:

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Ludwig van Beethoven – String Quartet No. 14 in C-sharp minor, Op. 131

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 14 in C-sharp minor, Op. 131 [1826]
I. Adagio ma non troppo e molto espressivo
II. Allegro molto vivace
III. Allegro moderato
IV. Andante ma non troppo e molto cantabile
V. Presto
VI. Adagio quasi un poco andante
VII. Allegro

Hungarian Quartet

Excerpt from the 1st Movemet:

Excerpt from the 2nd Movemet:

Excerpt from the 5th Movemet:

Excerpt from the 7th Movemet:

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Ludwig van Beethoven – String Quartet No. 13 in B-flat major, Op. 130

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 13 in B-flat major, Op. 130 [1825]
I. Adagio ma non troppo – Allegro
II. Presto
III. Andante con moto ma non troppo
IV. Alla danza tedesca: Allegro assai
V. Cavatina: Adagio molto espressivo
VI. Große Fuge: Overture – Allegro – Fuga [original finale]
VI. Finale: Allegro

Hungarian Quartet

Excerpt from the 3rd Movemet:

Excerpt from the 4th Movemet:

Excerpt from the 6th Movemet:

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Ludwig van Beethoven – String Quartet No. 12 in E-flat major, Op. 127

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 12 in E-flat major, Op. 127 [1823 - 1824]
I. Maestoso – Allegro
II. Adagio ma non troppo e molto cantabile
III. Scherzando vivace
IV. Finale: Allegro

Hungarian Quartet

Excerpt from 1st the Movemet:

Excerpt from 2nd the Movemet:

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Ludwig van Beethoven – String Quartet No. 11 in F minor “Quartetto serioso”, Op. 95

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 11 in F minor Quartetto serioso, Op. 95 [1810]
I. Allegro con brio
II. Allegretto ma non troppo
III. Allegro assai vivace ma serioso
IV. Larghetto espressivo

Hungarian Quartet

Excerpt from the 3rd Movemet:

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Ludwig van Beethoven – String Quartet No. 10 in E-flat major “Harp”, Op. 74

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 10 in E-flat major Harp, Op. 74 [1809]
I. Poco adagio – Allegro
II. Adagio ma non troppo
III. Presto
IV. Allegretto com variazioni

Hungarian Quartet

Excerpt from the 3rd Movemet:

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Ludwig van Beethoven – String Quartet No. 9 in C major, Op. 59/3

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 9 in C major (Razumovsky Quartet No. 3), Op. 59/3 [1808]
I. Andante con moto – Allegro vivace
II. Andante con moto quasi allegretto
III. Minuetto: Grazioso
IV. Allegro molto

Hungarian Quartet

Excerpt from the 1st Movemet:

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Ludwig van Beethoven – String Quartet No. 8 in E minor, Op. 59/2

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 8 in E minor (Razumovsky Quartet No. 2), Op. 59/2 [1808]
I. Allegro
II. Molto adagio
III. Allegretto
IV. Finale: Presto

Hungarian Quartet

Excerpt from the 4th Movemet:

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Ludwig van Beethoven – String Quartet No. 7 in F major, Op. 59/1

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 7 in F major (Razumovsky Quartet No. 1), Op. 59/1 [1808]
I. Allegro
II. Allegretto vivace e sempre scherzando
III. Adagio molto e mesto
IV. Allegro (Thème Russe)

Hungarian Quartet

Excerpt from the 2nd Movemet:

Excerpt from the 4th Movemet:

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Ludwig van Beethoven – String Quartet No. 6 in B-flat major, Op. 18/6

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 6 in B-flat major, Op. 18/6 [1800]
I. Allegro con brio
II. Adagio ma non troppo
III. Scherzo: Allegro
IV. Adagio (“La Malinconia”) – Allegretto

Hungarian Quartet

Excerpt from the 3rd Movemet:

Excerpt from the 4th Movemet:

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Ludwig van Beethoven – String Quartet No. 5 in A major, Op. 18/5

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 5 in A major, Op. 18/5 [1799]
I. Allegro
II. Minuetto
III. Andante cantabile
IV. Allegro

Hungarian Quartet

Excerpt from the 4th Movemet:

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Ludwig van Beethoven – String Quartet No. 4 in C minor, Op. 18/4

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 4 in C minor, Op. 18/4 [1799]
I. Allegro ma non tanto
II. Andante scherzoso quasi allegretto
III. Minuetto: Allegretto
IV. Allegro

Hungarian Quartet

Excerpt from the 1st Movemet:

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Ludwig van Beethoven – String Quartet No. 3 in D major, Op. 18/3

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 3 in D major, Op. 18/3 [1798 - 1799]
I. Allegro
II. Andante con moto
III. Allegro
IV. Presto

Hungarian Quartet

Excerpt from the 1st Movemet:

Excerpt from the 2nd Movemet:

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Ludwig van Beethoven – String Quartet No. 2 in G major, Op. 18/2

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 2 in G major, Op. 18/2 [1799]
I. Allegro
II. Adagio cantabile – Allegro – Tempo I
III. Scherzo: Allegro
IV. Allegro molto quasi presto

Hungarian Quartet

Excerpt from 3rd the Movemet:

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Ludwig van Beethoven – String Quartet No. 1 in F major, Op. 18/1

Ludwig van Beethoven (1770 – 1827)

String Quartet No. 1 in F major, Op. 18/1 [1799]
I. Allegro con brio
II. Adagio affettuoso ed appassionato
III. Scherzo: Allegro molto
IV. Allegro

Hungarian Quartet

Excerpt from the 1st Movemet:

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Amy Beach – Piano Concerto in C-sharp minor, Op. 45

Amy Beach (1867 – 1944)

Nascida na cidade de Henniker, New Hampshire, em 1867, Amy Marcy Cheney Beach foi a primeira compositora estadunidense mulher a ter um reconhecimento expressivo, ainda que nos dias de hoje não seja muito lembrada. Proveniente de uma distinta família, era considerada uma criança prodígio e aos 7 anos já participava de recitais públicos, tocando compositores conhecidos e trabalhos próprios. Após se casar, aos 18, com Dr. Henry Beach, passou a se dedicar às suas composições quase que exclusivamente, abandonando, até a morte do marido, uma promissora carreira, sendo ela uma virtuosi no piano.

Amy Beach é conhecida por suas canções, mas também é possível apreciar seu trabalho orquestral. Além de sua famosa sinfonia Gaelic, destaco este concerto em dó sustenido menor para piano e orquestra, composto em 1899.

Contemporânea a grandes compositores europeus e conterrâneos, imersa numa época fértil para composições pianísticas, este concerto é caracterizadamente romântico. Um longo e lírico allegro moderato inicia a obra, com uma orquestração inspirada acompanhando o piano, com trechos excelentes durante o movimento. Tem como destaque também um breve duo do piano com o spalla. Seguem-se um sherzo e o terceiro movimento, largo, o mais curto entre os quatro, belo e sóbrio. No último movimento, allegro con scioltezza, o piano conversa com os violoncelos, antes do concerto surgir mais pungente e firme, novamente com a orquestra.

Piano Concerto in C-sharp minor, Op. 45 [1899]
I. Allegro moderato
II. Scherzo: Vivace
III. Largo
IV. Allegro con scioltezza

Mary Louise Boehm (Piano); Westphalian Symphony Orchestra; Siegfried Landau (Conductor)

Excerpt from the 1st movement:

Excerpt from the 3rd movement:

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Guilherme Vituri – Nameless Piece

Guilherme Vituri (1991 – )

Nameless Piece

Guilherme Vituri (Piano)

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Guilherme Vituri – Valse Sentimentale

Guilherme Vituri (1991 – )

Valse Sentimentale

Guilherme Vituri (Piano)

Excerpt:

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Guilherme Vituri – Grand Solo in Hommage to the Dead Dinosaur

Guilherme Vituri (1991 – )

Grand Solo in Hommage to the Dead Dinosaur

Guilherme Vituri (Piano)

Excerpt:

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Edward MacDowell – Piano Concerto No. 2 in D minor, Op. 23

Edward MacDowell (1860 – 1908)

Piano Concerto No. 2 in D minor, Op. 23 [1884-1886]
I. Larghetto calmato
II. Presto giocoso
III. Finale: Largo – Molto allegro

Eugene List (Piano); Westphalian Symphony Orchestra; Siegfried Landau (Conductor)

Excerpt from the 2nd Movemet:

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